Dreams. Chronicles of the Night.



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05 November 2006


In the Movies

Sari and I were going to see a movie with a colleague of mine. My colleague had chosen the movie with his wife, who joined us. I didn't know anything about the film, except that it was an American comedy targeted for teenagers.

We met in the lobby. My colleague had already bought two tickets, but Sari and I didn't have seats yet. As we queued for the tickets, our friends went inside. We followed soon but didn't manage to get seats in the same row.

The seats were arranged as in any other movie theatre, except that there were tables and chairs in the middle of the audience as if we were in an American bar. The screen was not in the front but at both sides of the theatre. People fetched drinks and popcorn from the counter and got seated.

The audience consisted of teenagers and young adults. I tried to locate my friends, but I didn't see them in the rows next to us.

The lights dimmed and the movie started.

A black farmer stands in a vinyard. He opens the lid of a barrel, and a twine appears. The leaves of the twine are green but the shape is unusual. The plant looks like a series of ant hills tied together with a rope. The farmer grabs the plant and puts it back to the barrel, having made sure that the twine is in a good condition.

Another man appears and asks why the farmer keeps the plant in the barrel. The farmer answers that the twine grows best there. "In the barrel the berries get squeezed so that you get ready-made cider which can be drunk without any further processing." "Cool," the man says, "Can I have a taste of that home-grown cider?" The farmer answers that he doesn't want to waste the precious berries. Instead, he offers him a bottle which looks like Budweiser. "This is genuine stuff," he says, "without any artificial substances." The man takes a sip and clearly likes the cider. But as he looks into the etiquette he sees the entry:

Made out of apple extract. Contains: acidity regulator E245, stabilizer E247, flavour enhancers E231 and E234.

"This isn't any genuine stuff!" the man shouts. He accuses the farmer of cheating and adds, "And you don't make cider out of berries. Cider is made out of apples and pears."

The audience laughed at this point of the movie. In my opinion, too, the beginning of the movie had been interesting. But the plot soon moved to a more conventional direction.

The man is still angry at the farmer. Nevertheless he buys two bottles and walks to a road, where he jumps into a big Cadillac full of young people heading to a party in a mansion nearby. The teenagers ask the man to join the party. The man is excited and displays a tape full of ecstacy disco. He says this will suit well to the party. Everyone is happy and chats cheerfully.

The young people park the car in front of the mansion and step inside. There are a lot of people but the atmosphere is formal and stiff. It is only when the man puts the cassette on that the party gets started. The music is catchy and hypnotic, and people start to dance. Particularly the man is excited. He dances eagerly doing all kinds of movements with his hands and feet as he wears a chicken mask, jester's hat, monster face, penguin beak. The outfit changes rhythmically to the beat. Everyone marvels at this performance, which reflects the transcendental atmosphere of the ecstacy disco.

There are white and black revellers in the party. Also the pop icon Madonna is there, although she has gained weight so much that she cannot be considered very attractive. This is purposeful, however, since Madonna is only one of the party people, not the star of the film.

Sari and I watched the movie with increasing boredom. After a great start there hadn't been too much depth to the story, only flat lines and superficial feel-good atmosphere. We yawned and glanced at our watches, as the other spectators clearly enjoyed the movie. Judging from the happy faces and frequent laughs, I understood that this was exactly the kind of movie people wanted to see.

Looking around I still couldn't find my colleague nor his wife. I noticed, however, that the theatre had many floors. Perhaps my friends were in the balcony, where the rich people sipped cocktails. Dressed in tuxedos and evening gowns, they clearly enjoyed the movie just as much as the common people downstairs. But I didn't seem my friends there.

The movie didn't improve, so I rose from my seat in order to find some snacks. Just about to reach the aisle, I had to stop as the side doors opened and a number of young ladies rushed in. Hired to assist in the performance, they took positions at both sides of the hall and asked the audience to take part in the atmosphere of the movie. Dressed like the movie characters they swang their arms encouraging the audience to do the same. One assistant held a rope, which could be used for swinging from one side to the other. I was asked to jump in, as I was already standing. Why not, I thought, mayde this might cheer me up. So I jumped into the rope and let the assistant slide me across the big screen to the other side of the hall.

In the movie the day has turned into evening, and the characters are getting romantic. The music is soft and the characters are talking to each other, getting increasingly open and personal.

At the same time I'm swinging across the screen serving grapes and other fruit to people at each side of the hall. I'm also mediating between various groups of characters who have got stuck in their conversations at different parts of the canvas.

The choreography accomplished by me and the assistants complements the atmosphere of the movie, which for a long time has been on the verge of turning dull. Still the audience is enjoying the movie, which is now almost nearing its end. The party is over but the characters have found each other in this great mansion of rich people.

As the credits were shown, people moved out of the theatre. Now that the space was lit, I could see that the theatre was located in a grand building. The palace was decorated to fit the atmosphere of the movie. A lot of money had been spent to make the interior match the film scenes.

Stepping out of the building I felt as if I was moving out of the film itself. I understood that this was a big advertising campaign aimed at creating a big buzz around the movie. (The purpose was also to make the movie seem better than it actually was.) No doubt the campaign was successful, as people came to the street looking like they had taken part in an event larger than life.

We were disappointed to the movie, although Sari thought it was great to be among the crowd celebrating the event; after the performance, people gathered on the street, without going home, wanting to keep up the atmosphere of the movie by having a spontaneous street party. I still couldn't understand how people could like the movie. It was at best hardly mediocre.

We decided to go home. As we walked to the railway station, I tried to look around but I still couldn't find my friends.