Dreams. Chronicles of the Night.



Previous

Next

ArchiveBack

28 August 2011


At work

My parents suspected that I might get hungry during working hours, so they gave me a 100-kg-piece of pork. They said I could now fill my stomach whenever I liked.

The meat was cut in a big rectangular shape of, should I say, mattress. At least it had the same proportions with the thickness of ten centimetres, width of more than half a metre and length of almost two metres.

The roast was pre-marinated but uncooked. It was too big to fit in the fridge, so I placed it on a chair next to my desk. Half of it was hanging outside the seat but, for hygienic reasons, I had been careful not to let the roast touch the floor or wall. I was a little concerned about the possible stains in my office chair, however, but I didn't worry this too much as I cut thick, juicy slices, for the frying pan.

Having already cut at least two kilos, I wondered how long the meat would last. Two kilos was only a tiny portion of the entire roast. At this rate there would be plenty of meat left for the next week. In a warm office environment, food products would hardly stay fresh for long. Even now I could smell unpleasant odour.

Without much hesitation I took the whole roast on my shoulders and dragged it to the coffee room, where I disposed the meat in the bin. There was no room for any other debris, but this was the only the place I could find.

The sun was shining through the glass walls as I walked along the corridor. Some of the workstations were interspersed with green plants, but most of the tables were empty. I wondered why almost no one sat on this side of the office. The space was comfortable and pleasant. One of my co-workers was still located here a few days ago, but I could no longer see him.

I stepped into the lift and descended one floor lower. The hallway was full of desktops occupied by dozens of office workers. Cramped in a narrow space, they sat side by side, working in a noisy environment in the light of fluorescent lamps. The windows were blocked so that natural light could not reach inside. The place was dark and damp.

I found my colleague sitting next to his workstation.

'Why are you here, cramped into a corner, even if there's plenty of room upstairs?' I asked.
'I didn't like it there,' he said. 'It was too lonely.'

I wondered what made people choose the narrow and dark environment. But I didn't have time to become too puzzled, as I was in a hurry to attend a meeting.

In the meeting room I met my boss and team members. Among the colleagues I found a former Finnish Idol star and pop singer A. Tuisku.

The agenda consisted of a presentation by Tuisku called 'Adaptation of Celebrities to Office Work'. This was a PowerPoint slide show projected on the white wall.

We listened to what Tuisku had to say. He began with a report on how he, as a pop singer, had chosen to work in the office. The initial steps were covered slide by slide. The successes were highlighted, not forgetting the difficulties either. The text and pictures complemented each other, as Tuisku spoke freely but objectively. Plenty of time was given to personal reminiscences.

At some point the subject matter began to meander so that Tuisku could accommodate stories of his youth and even trips to Greece. Increasingly speech was synchronized to the flickering images. Pauses and intonation were used for extra effect. Slowly I could detect background music too. The melody was barely noticeable at first, but it picked up strength as the presentation progressed.

All this was very good, I though, but please, do not start to sing - not here.

The imagery gradually changed from concrete to abstract. Music and pictures blended together, while Tuisku's rhythm of presentation was even more pronounced. The use of sound varied and soon we also heard notes. Before we knew it, the music took over. The end result was almost an entire concert.

No doubt a lot of time had been used in the preparation. With only a few colleagues to attend the show, was this all worth the effort? On the other hand, what could the performer do for his character.